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自從大圣和哪咤火了后，是不是國產動畫的風格都朝一個風格發(fā)展了，變個小孩受點挫折，然后爆豆變身來個高潮。問題是想表現(xiàn)好是要靠好劇本支撐的，不是隨便弄個劇本就能拍出好動畫。話說這李氏夫婦真的不是哪咤里的李氏夫婦？話說這被壓五百年的是大鵬？要不說我還以為是孫猴子。轉世之前要靠燃燒金身才能困住大鵬，這轉世之后憑啥一巴掌就把大鵬拍沒了？強行高潮結局實在太沒意思了。

奔向自由的小馬哥，畫面實在是太美了。

There is Francine in backseat and there is a window in between no one calls the poor people get married with rich people a democratipeople watch TV and Sabrina dancing together like the two families just watching from the both size and I was like oh and david pick her up from the train station like a dog‘s name is even david this is so so hilarious

這部也用了瓦格納尼伯龍根的女武神（房產經紀獨自走過幽暗深邃的洞穴一段+伯爵把棺材土搬進新買的公寓）...

故事線太差了……節(jié)奏也不吸引人，一個金身并不需要弄得神神秘秘，親人都是成佛道路的工具人，玄天火龍做得是不是丑了點……